Abstract geometric editorial illustration composed as a very wide horizontal banner: user-interface panels floating in a steep, dramatic perspective over a flat background with soft sheets of light. Modern, minimal, calm; nothing cute, nothing clip-art.

{PALETTE}

{STYLE_EXTRA}

Strictly exclude: text, letters, numbers, people, hands, device bezels, photos, 3D clay or glossy plastic rendering, outlined doodle objects, emoji, saturated colours, neon, any colour outside the palette above.

BANNER COMPOSITION (this image is cropped to a thin horizontal strip on wide screens, keeping only the middle third of its height, and to a narrow window on phones, keeping only the middle two thirds of its width; it must work both ways): everything is arranged side by side along the horizontal centre line, never stacked vertically. The central panel is low and wide, and the horizontal centre line passes straight through the signature mark and the accent detail. Two or three more panels are spread to the left and the right at the same height. Nothing important touches the top or bottom edge or sits in the outer 20 percent of the width.

CENTRAL PANEL (the subject of the article): {HERO}
SIGNATURE MARK (one large, flat, monochrome glyph on the central panel, about one third of the canvas height): {SIGNATURE}
SIDE PANELS: {SCENE}
COUNTERWEIGHT SHAPE: {COUNTERWEIGHT}
